Writer Gay Talese on the Tailoring Craft

I wanted to share an article I came across not too long ago written by Italian-American writer Gay Talese for Vanity Fair magazine’s web site a couple of years ago. I met Mr. Talese several years ago when I first started working on MEN OF THE CLOTH and was researching my characters and the world they inhabit. I had read Unto the Sons, his immigrant saga of how his family came to America. In the opening pages of the book, I loved how Talese described his Calabrian father and his tailoring trade as “the reputable but precarious life of an artist with a needle and thread.” It’s a phrase I’ve often borrowed.

I also knew that Gay Talese favored Brioni suits and was interviewed for the book Brioni: Fifty Years of Style. I recently watched an interesting video interview with him online in which he maintained that one of the lessons he took from his father was to approach his work as a writer in a way that is “not done quickly or casually, because it had to withstand time.” Needless to say, I share that view, for I’ve spent a great deal of time getting to know my characters and their craft, and building a trust and rapport with them.

In the article for the Vanity Fair site, “The Scion, the Stitch, and the Wardrobe,” he reminisces about his father, and his father’s cousin, Antonio Cristiani, a successful tailor in Paris. Talese characterizes these craftsmen as “an endangered species” — and indeed they are. He writes, “I’m mainly interested in is the aesthetics of the tailoring profession, and my small part within it as a patron, a preservationist, and an advocate of the perfect fit— and the idea that measurements can alter the mind.”

And here he expresses a sentiment I’m trying awfully hard to get across in my film: “When I’m wearing one of my custom suits, I’m in harmony with my highest ideals, my worship of great workmanship.”

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  1. […] favorite quote comes from writer Gay Talese. I have to laugh when he says (with characteristic forthrightness) that when he sees people around […]

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